Titian
Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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Titian The Venus of Urbino oil painting


The Venus of Urbino
Oil on canvas, 119 x 165 cm Galleria degli Uffizi, Florence Date before 1538(1538) Dimensions Height: 119 cm (46.9 in). Width: 165 cm (65 in). cyf
Painting ID::  91535
Titian
The Venus of Urbino
Oil on canvas, 119 x 165 cm Galleria degli Uffizi, Florence Date before 1538(1538) Dimensions Height: 119 cm (46.9 in). Width: 165 cm (65 in). cyf
   
   
     

Titian Assumption of the Virgin oil painting


Assumption of the Virgin
between 1516(1516) and 1518(1518) Medium oil on panel Dimensions Height: 690 cm (271.7 in). Width: 360 cm (141.7 in). cyf
Painting ID::  91682
Titian
Assumption of the Virgin
between 1516(1516) and 1518(1518) Medium oil on panel Dimensions Height: 690 cm (271.7 in). Width: 360 cm (141.7 in). cyf
   
   
     

Titian Duchess of Urbino oil painting


Duchess of Urbino
between 1545(1545) and 1547(1547) Medium oil on panel Dimensions Height: 114 cm (44.9 in). Width: 88 cm (34.6 in). cyf
Painting ID::  91683
Titian
Duchess of Urbino
between 1545(1545) and 1547(1547) Medium oil on panel Dimensions Height: 114 cm (44.9 in). Width: 88 cm (34.6 in). cyf
   
   
     

Titian Venus and Adonis oil painting


Venus and Adonis
Oil on canvas; 42 x 52 1/2 in. (106.7 x 133.4 cm) cyf
Painting ID::  91722
Titian
Venus and Adonis
Oil on canvas; 42 x 52 1/2 in. (106.7 x 133.4 cm) cyf
   
   
     

Titian Mary of Hungary, Regent of the Netherlands oil painting


Mary of Hungary, Regent of the Netherlands
between 1550(1550) and 1560(1560) Medium oil on panel Dimensions Ø 9 cm (3.543 in) cjr
Painting ID::  92426
Titian
Mary of Hungary, Regent of the Netherlands
between 1550(1550) and 1560(1560) Medium oil on panel Dimensions Ø 9 cm (3.543 in) cjr
   
   
     

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     Titian
     Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

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